Milan and Týna, with their young children, had planned a seaside holiday this summer, but due to financial constraints, it didn’t happen. Instead, they opt for a more affordable domestic holiday at a campsite in Bohemian Paradise. Týna is disappointed—she had been dreaming of the sea and was looking forward to a well-deserved beach rest. Milan, on the other hand, is thrilled; he’s eager to hike in the woods and sleep in a tent. However, instead of a break from worries, cabin fever sets in, leading to a big argument. Milan storms out, gets drunk, and sleeps in the woods. The next morning, he tries to return to the campsite but discovers he’s lost. Týna is initially angry at Milan for leaving, but when he doesn’t return after the second night, her anger turns to worry. The couple is now separated, giving them space to figure out to find their the way back to each other—if they want to at all…
The film’s theme is the enduring relationship between Milan and Týna. Despite their deep love for each other, the crushing weight of stereotypes and daily struggles breeds frustration and tension. Love slowly transforms into hatred. I’m fascinated by this paradox of partnership, where the one we love most is also the one who can irritate us the most. This is a feeling everyone has likely faced, making it a crucial subject to explore. With cabin fever bringing underlying issues to the surface, a holiday meant to be joyful turns into an ordeal, the Bohemian paradise transforms into hell.
Bohemian Paradise is a popular destination, known for its landscapes filled with rocks, ponds, and castles. The forests are crisscrossed with hiking trails. Milan’s getting lost in the woods for several days is a deliberate exaggeration, symbolizing the breakdown in understanding between him and Týna, and the struggle to find their way back to each other—both figuratively and literally. The separation gives them the space to discover how they truly feel about one another and whether they really want to stay together. By using hyperbole and humor, I push the boundaries of realism, offering portrayal of human nature alongside socially critical commentary. My focus is on capturing authenticity and vibrancy, while also deliberately employing shorthand, stereotypes, and clichés within an absurdist poetics. This approach is not meant to undermine credibility but rather to add layers of reality.
